HUANGGUO · STORIES
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Synopses found: 274
Original Chinese title: 下班后的餐厅·来信 285
After hours, the restaurant receives a handwritten negative review; head chef Gu He recognizes the handwriting as belonging to Lin Ce, a longtime regular, but the complaint in the letter is not about the taste of the dishes.
Original Chinese title: 雨后的书店·赴约 289
Fang Yue arrives at a post-rain bookstore to attend what was originally scheduled as a public sharing session, only to find just Xu Yan and two chairs remaining, making her worry that the event was an intentionally staged one-on-one meeting.
Original Chinese title: 安静的咖啡馆·赴约 291
Shu Tong goes to a café to meet Jiang Bai, intending to discuss whether to continue their relationship, but he brings travel photos she once wanted to see, mistaking it for an ordinary date.
Original Chinese title: 街角的花店·赴约 293
He Ran asks Lu Zhi to meet at the flower shop to choose an anniversary bouquet, but what she receives is an unfinished flower stand he made and a request to cancel their expensive dinner.
Original Chinese title: 下班后的餐厅·赴约 297
Yan Ning heads to a restaurant after work for a long-delayed friends' gathering, only for the others to drop out one after another, leaving her alone with Li Yu, who had confessed his feelings to her years ago.
Original Chinese title: 周末的展览·告白 304
Qi Ning intends to confess feelings to Fang Mo during the opening speech of the weekend exhibition, but upon seeing the other person's discomfort with public attention, decides to cut the pre-written section.
Original Chinese title: 灯下的客厅·告白 306
In the lamp-lit living room, Shu Rui receives a stack of old photos handed over by Wen Cen, one of which has "I like you" written on the back, but she wants to know first whether he is simply reminiscing about the past.
Original Chinese title: 离别前的车站·告白 311
At the station before parting, Chen Zhi tells Yu Zhou that she used to like him, and that speaking it now is to bring an end to the waiting, not in the hope that he will immediately buy a ticket to follow.
Original Chinese title: 末班公交车·和解 314
On the last bus, Lin Lan runs into Zhou Yu, whom she had previously stood up, originally thinking an apology would restore their commuting together, but Zhou Yu says what truly mattered was the continuous lack of explanation.
Original Chinese title: 周末的展览·和解 316
At a weekend exhibition, Xu Yin discovers that the photo captions have been abridged and angrily demands to withdraw the work; Mo Bei then produces the original manuscript, pointing out that a passage might reveal the subject's residential address.
Original Chinese title: 灯下的客厅·和解 318
Ning Shu and Xu Yuan sort through performance costumes in the living room and argue again over an old garment that was altered poorly, only to discover upon unpicking the lining that the fabric had long become brittle and could not be restored to its original state.
Original Chinese title: 旧城区的电影院·和解 320
Song Zhen and Lu Zhao get into a dispute over seating arrangements for wheelchair users, only to discover after checking post-screening that the ticketing system had mistaken the old auditorium map for the currently available layout.
Original Chinese title: 下班后的餐厅·和解 321
Jiang An asks Chen Yue to meet at the restaurant after work to review the partnership dissolution inventory, and clear funding records for the old wine cabinet they had argued over for so long are finally found in the purchasing receipts.
Original Chinese title: 傍晚的公园·和解 322
Wen Yi asks Qi Zhou to stop disposing of paint rinse water openly in the park, which Qi Zhou misinterprets as an attempt to drive away open-air sketchers; only when they inspect the drainage outlet together at dusk is the concern clearly explained.
Original Chinese title: 街角的花店·距离 329
Mo An and Yu Ce disagree over the relocation site of their shop: one wants to retain regular customers, while the other hopes to move closer to a larger market. A mere two kilometers apart on the map, the options reflect diverging visions of life.
Original Chinese title: 灯下的客厅·距离 330
He Rui and Shen Zhi share an apartment but avoid each other due to work-related noise, turning the living room under the lamp from a shared space into a corridor where they merely cross paths.
Original Chinese title: 旧城区的电影院·距离 332
Qin Cheng holds down a steady job managing an old cinema, while Ye Xu travels constantly with productions; their shared watchlist keeps growing, but the last film they actually watched together dates back to last year.
Original Chinese title: 傍晚的公园·距离 334
Yu Qing sketches an unopened new bridge in the park at dusk; the construction project Song Yuan manages will bring their homes closer together, yet it has also consumed nearly all their time with each other.
Original Chinese title: 末班公交车·邀请 338
Ning He invites Song Bei to ride the last bus with her to document shops along the way, but Song Bei suggests first visiting an old bus stop sign about to be removed, which was his commute's starting point for many years.
Original Chinese title: 街角的花店·邀请 341
Wen Rui invites Mo Ye to hold a withered branch exhibition at the flower shop, hoping to turn pruning remnants into decor, while Mo Ye worries visitors might mistakenly think all branches can be freely gathered.
Original Chinese title: 灯下的客厅·邀请 342
An Cheng invites Lin Yue to a lamplit living room to record an interview on home craftsmanship, but Lin Yue brings an unfixable chair, hoping to focus the episode on when one should stop restoring.
Original Chinese title: 海边的长椅·邀请 343
Ye Ting invites Cheng An to paint a promotional illustration for a seaside guesthouse on a bench by the sea, but Cheng An suggests first walking the actual route guests will take before deciding on the imagery.
Original Chinese title: 旧城区的电影院·邀请 344
Gu Qing invites Xu Xu to pick a favorite film for an old cinema, but he wants to screen a work he has never been able to understand, hoping to discuss it together rather than rush to conclusions.
Original Chinese title: 下班后的餐厅·邀请 345
Lin Yue invites Wen Zhou to an after-hours gathering for regular patrons at the restaurant; Wen Zhou requests not to be put on the spot to share hardship stories, wishing only to dine comfortably like the other guests.